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The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into cinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s Existence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart debuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s past and a bold step into the future. 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Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. 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The rule of Filth began in 1991, followed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into cinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s Existence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart debuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the Valkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s past and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand mightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by drummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage, and keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical hook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty, blast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with blasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most mournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or Anathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never wrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with imaginative new colors.\u003c\/p\u003e\n\u003cp\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The Screaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. 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The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical hook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty, blast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting expanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And The Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence Is Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White Hellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with blasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most mournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or Anathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never wrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with imaginative new colors.\u003c\/p\u003e\n\u003cp\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The Screaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. A legacy-cementing album, The Screaming of the Valkyries is a bloody dark love letter to the longtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter. \u003c\/p\u003e","brand":"Cradle Of Filth","offers":[{"title":"Black + Black, S","offer_id":42495921061948,"sku":"621289-621474","price":46.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, M","offer_id":42495921094716,"sku":"621289-621475","price":46.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, L","offer_id":42495921127484,"sku":"621289-621476","price":46.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, XL","offer_id":42495921160252,"sku":"621289-621477","price":46.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, 2XL","offer_id":42495921193020,"sku":"621289-621478","price":48.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, 3XL","offer_id":42495921225788,"sku":"621289-621479","price":50.99,"currency_code":"USD","in_stock":true},{"title":"Black + Black, 4XL","offer_id":42495921258556,"sku":"621289-621480","price":52.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/8122\/0924\/files\/197b4662c8eb1df1e4f3cf86c6eb5235.jpg?v=1737647108"},{"product_id":"cradle-of-filth-the-screaming-of-the-valkyries-smoke-vinyl-12","title":"Cradle Of Filth \"The Screaming of the Valkyries (Smoke Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eCradle Of Filth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"The Screaming of the Valkyries (Marbled Black Smoke Gatefold Vinyl)\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\"\u003cbr\u003e\u003c\/span\u003e-Includes 24 page booklet\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 – To Live Deliciously\u003cbr\u003e2 – Demagoguery\u003cbr\u003e3 – The Trinity Of Shadows\u003cbr\u003e4 – Non Omnis Moriar\u003cbr\u003e5 – White Hellebore\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6 – You Are My Nautilus\u003cbr\u003e7 – Malignant Perfection\u003cbr\u003e8 – Ex Sanguine Draculae\u003cbr\u003e9 – When Misery Was A Stranger\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Actual vinyl color may differ from store image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-nominated CRADLE OF FILTH reign supreme as one of the most revered, formative and\u003cbr\u003enotorious names in music – from the depths of the extreme metal underground to the peaks of mainstream pop\u003cbr\u003eculture itself, and are responsible for breaking ground for many of today’s top metal artists with their trademark\u003cbr\u003emixture of blackened heaviness, macabre theatricality and scintillating gothic style. The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most\u003cbr\u003emournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or\u003cbr\u003eAnathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never\u003cbr\u003ewrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with\u003cbr\u003eimaginative new colors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The\u003cbr\u003eScreaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating\u003cbr\u003emassive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of\u003cbr\u003eunbridled revelry. A legacy-cementing album, The Screaming of the Valkyries is a bloody dark love letter to the\u003cbr\u003elongtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter. \u003c\/p\u003e","brand":"Cradle Of Filth","offers":[{"title":"Marbled Black Smoke","offer_id":42511198847036,"sku":"623310","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/8122\/0924\/files\/3c2d21905034c8e2cc802f0d4dfb370d.jpg?v=1738189791"},{"product_id":"jinjer-duel-black-vinyl-12","title":"Jinjer \"Duél (Black Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eJinjer\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"Duél\"\u003c\/span\u003e\u003cspan\u003e LP Gatefold 12”\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e-Black vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003cbr\u003e1 Tantrum\u003cbr\u003e2 Hedonist\u003cbr\u003e3 Rogue\u003cbr\u003e4 Tumbleweed\u003cbr\u003e5 Green Serpent\u003cbr\u003e6 Kafka\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e7 Dark Bile\u003cbr\u003e8 Fast Draw\u003cbr\u003e9 Someone's Daughter\u003cbr\u003e10 A Tongue So Sly\u003cbr\u003e11 Duél\u003c\/p\u003e","brand":"Jinjer","offers":[{"title":"Black","offer_id":42575165620284,"sku":"624278","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0267\/8122\/0924\/files\/2652bdf85a291d9f8b32c91b53e852b4.jpg?v=1740061014"},{"product_id":"katatonia-nightmares-as-extensions-of-the-waking-stat-cd","title":"Katatonia \"Nightmares as Extensions of the Waking State\" CD","description":"\u003cp\u003e\u003cspan\u003eKatatonia\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"Nightmares as Extensions of the Waking Stat\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCD\u003cbr\u003e\u003c\/span\u003e-1 CD Digisleeve, 16p Booklet\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eTracklist Digisleeve CD:\u003cbr\u003e01 Thrice\u003cbr\u003e02 The Liquid Eye\u003cbr\u003e03 Wind of no Change\u003cbr\u003e04 Lilac\u003cbr\u003e05 Temporal\u003cbr\u003e06 Departure Trails\u003cbr\u003e07 Warden\u003cbr\u003e08 The Light Which I Bleed\u003cbr\u003e09 Efter Solen\u003cbr\u003e10 In the Event of\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eKATATONIA\u003cbr\u003eNightmares as Extensions of the Waking State\u003cbr\u003eRelease Date: June 6, 2025\u003c\/p\u003e\n\u003cp\u003eNightmares have never sounded so beautiful! 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Crystal-clear production\u003cbr\u003ehighlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate\u003cbr\u003eguitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension.\u003cbr\u003eTracks like \u0026amp;quot;Thrice\u0026amp;quot; and \u0026amp;quot;Warden\u0026amp;quot; pulse with dynamic energy, while \u0026amp;quot;Lilac\u0026amp;quot; sees Jonas\u003cbr\u003eRenkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A\u003cbr\u003enear-ceremonial piece, \u0026amp;quot;Wind of No Change\u0026amp;quot;, merges subtle electronic textures with\u003cbr\u003eKATATONIA’s enigmatic soundscapes, while \u0026amp;quot;Temporal\u0026amp;quot; balances fragility and strength - its\u003cbr\u003eintense verses culminating in a soaring, emotionally charged chorus. The breathtaking \u0026amp;quot;Efter\u003cbr\u003eSolen\u0026amp;quot; (Engl. 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Crystal-clear production\u003cbr\u003ehighlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate\u003cbr\u003eguitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension.\u003cbr\u003eTracks like \u0026amp;quot;Thrice\u0026amp;quot; and \u0026amp;quot;Warden\u0026amp;quot; pulse with dynamic energy, while \u0026amp;quot;Lilac\u0026amp;quot; sees Jonas\u003cbr\u003eRenkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A\u003cbr\u003enear-ceremonial piece, \u0026amp;quot;Wind of No Change\u0026amp;quot;, merges subtle electronic textures with\u003cbr\u003eKATATONIA’s enigmatic soundscapes, while \u0026amp;quot;Temporal\u0026amp;quot; balances fragility and strength - its\u003cbr\u003eintense verses culminating in a soaring, emotionally charged chorus. The breathtaking \u0026amp;quot;Efter\u003cbr\u003eSolen\u0026amp;quot; (Engl. 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The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. 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